M. Giannatiempo López - Abstract
A dense mystery still wraps
the most amazing masterpieces of Italian Renaissance - The Ideal
City. After a reviewing different interpretations historically brought about over the years this article
tries to propose a new one. The starting
point is offered by the analysis of different
cues of the painting. In this Ideal City the human beings don’t exist, the only living things which do exist are a few plants and a couple of white
doves. The symbol of the door symbolically
represents a passage between outside and inside, or lightness and darkness, and/or
life and death. The shape of central circular
building was used in the Ancient Roman period as the preferred shape for mausoleums,
e.g. Adriano’s Mausoleum.
The two wells symbolically represent water, which is source of life. In the early Christian period the Baptistery was shaped in an
octagonal form. The four Cardinal virtues are symbolized by the four steps surrounding
the two wells. Two doves are the unique living creatures present in the scene. Doves are universally recognized as symbol of
peace, but a two doves symbolizes
a couple - representing eternal love. The eyes of the doves points
towards the wells where one eye
is shorter than the other, while one dove is in the shadow, and the other in the light. All these cues suggest
a consistent dual representation in the painting as a reflection of Federico di Montefeltro and his
wife, Battista Sforza. The death
of Montefeltro’s wife at a young age, Battista Sforza’s premature departure was after
the birth of their nineth child Giudubaldo.
Although unknown, was the possible the cause of her death.
She was buried
close to the Saint Clara Monastery where this painting was
guarded for many years even
after the death of Federico Montefeltro. This painting hence can be interpreted as an ideal
remainder of death of Battista Sforza developed in a
utopian and Ideal City. On
the basis of accurate geometrical reconstruction of the point of
view of the painting, this paper reinforces these ideas and more.